جلرو نسيبوغلو
Gülru Necipoğlu
أستاذة الفن الإسلامي
السيرة الذاتية :
مديرة برنامج الآغا خان للعمارة الإسلامية في جامعة هارفارد،
التعليم :
شهادة الدكتوراه جامعة هارفارد، قسم الفنون الجميلة , 1986 م
جامعة هارفارد M.A.، قسم الفنون الجميلة , 1982م
الشهادة الجامعية الاولى جامعة ويسليان بولاية كونيتيكت , بامتياز مع مرتبة الشرف 1979
المدرسة الثانوية: كلية روبرت في اسطنبول. 1975.
اهتماماتها البحثية تتركز حول الفن الاسلامي والعمارة الاسلامية وخصوصا في عهد الدولة العثمانية , والصفوية , والمغول ,
من منشوراتها ( باللغة الاصلية ) :
كتب ومجلدات محررة :
Editor of Muqarnas: An Annual on the Visual Culture of the Islamic World and Supplements to Muqarnas (E.J. Brill, Leiden and Boston) since 1993, Volumes 11-32.
“Frontiers of Islamic Art and Architecture: Essays in Celebration of Oleg Grabar's Eightieth Birthday,” co-edited with Julia Bailey (The Aga Khan Program of Islamic Architecture Thirtieth Anniversary Special Volume: Muqarnas vol. 25, 2008).
“Historiography and Ideology: Architectural Heritage in the Lands of Rum,” the proceedings of a symposium organized with Dr. Sibel Bozdoğan, held at the American Academy of Arts and Sciences, 12 May, 2006 (Published as special issue of Muqarnas, vol. 24, 2007).
Sinan’s Autobiographies: A Critical Edition of Five Sixteenth-Century Texts. Critical Edition and translation by Howard Crane and Esra Akin, edited with a preface by Gülru Necipoğlu (Supplements to Muqarnas, Leiden, 2006).
A Companion to Islamic Art and Architecture, co-edited with Finbarr Barry Flood, a two volume reader of more than 50 commissioned essays in the “Wiley-Blackwell Companions to Art History” series (forthcoming, Wiley, 2016-17).
The Arts of Ornamental Geometry: A Persian Compendium of Similar and Complementary Interlocking Figures, edited by Gülru Necipoğlu, forthcoming in Supplements to Muqarnas (2015-16) published by Brill.
Histories of Ornament: From Global to Local, co-edited with Alina Payne (Princeton University Press, 2016).
The Age of Sinan: Architectural Culture in the Ottoman Empire (Reaktion Books, London, and Princeton University Press, Princeton, NJ, 2005, revised second edition Reaktion Books, London and University of Chicago, 2010).
Sinan Çağı: Osmanlı İmparatorluğu’nda Mimarî Kültür, Çevirmen Gül Çağalı-Güven (Expanded Turkish edition of The Age of Sinan, Istanbul, Bilgi University Press, 2013).
The Topkapı Scroll—Geometry and Ornament in Islamic Architecture, The Getty Center for the History of Art and the Humanities, distributed by Oxford University Press, 1995 (Translated into Persian by Mihrdad Qayyumi Bidhindi, Handasa va Tazyin dar Mi‘mari-yi Islami: Tomar-i Topkapı (Tehran, Kitabkhana-yi Milli-yi Iran, 1379).
Guest editor of Palaces in the Pre-Modern Islamic World, published with an introduction by Gülru Necipoğlu, “An Outline of Shifting Paradigms in the Palatial Architecture of the Pre-Modern Islamic World” (3-24) and her concluding article: “Framing the Gaze in Ottoman, Safavid, and Mughal Palaces” (303-42) as a special issue of Ars Orientalis, No. 23 (1993).
Architecture, Ceremonial and Power: The Topkapı Palace in the Fifteenth and Sixteenth Centuries, M.I.T. and The Architectural History Foundation, 1991 (translated with revisions into Turkish; translator Ruşen Sezer;15. ve 16. yüzyılda Topkapı Sarayı: Mimari, Tören ve Iktidar, Yapı ve Kredi Bankası, Istanbul, 2007).
فصول ومقدمات :
"Frameworks of Islamic Art and Architecture: Concepts, Approaches and Historiographies," and section introductions, co-authored with Finbarr Barry Flood, in Companion to Islamic Art and Architecture, eds. Finbarr Barry Flood and Gülru Necipoğlu, “Wiley-Blackwell Companion to Art History” series 2 vols., vol. 1 (forthcoming, Wiley, 2016-17).
“Architectural Dialogues Across the Eastern Mediterranean: Monumental Domed Sanctuaries in the Ottoman Empire and Renaissance Italy," in ed. Alina Payne, The Companion to the History of Architecture, Volume I, Renaissance and Baroque Architecture (Series editor Harry Francis Mallgrave, John Wiley and Sons Inc., forthcoming 2016).
"Early Modern Floral: The Agency of Ornament in Ottoman and Safavid Visual Cultures,” Chapter 11, in Histories of Ornament: From Global to Local, Gülru Necipoğlu and Alina Payne eds. (Princeton University Press, 2016). With an “Introduction” co-authored by the editors.
“Ornamental Geometries: An Anonymous Persian Compendium at the Intersection of Visual Arts and Mathematical Sciences,” Chapter 1, in The Arts of Ornamental Geometry: A Persian Compendium on Similar and Complementary Interlocking Figures (Fī Tadākhul al-ashkāl al-mutashābiha aw al-mutawāfiqa, Bibliothèque nationale de France, Ms. Persan 169, fols. 180r–199v), edited by Gülru Necipoğlu (Brill, Supplements to Muqarnas, forthcoming, 2016). A volume commemorating Alpay Özdural, with my introduction, titled “In Memory of Alpay Özdural and His Unrealized Book Project.”
“Entangled Discourses: Scrutinizing Orientalist and Nationalist Legacies in the Architectural Historiography of the ‘Lands of Rum’,” preface with Sibel Bozdoğan in Muqarnas 24 (2007): 1-6 [Turkish translation: “İçiçe Geçmiş Söylemler: ‘Diyar-ı Rum’ Tarihyazımındaki Oryantalist ve Milliyetçi Mirasların Sorgulanması,” Türkiye Araştırmaları Literatür Dergisi, Türk Mimarlık Tarihi, cilt 7, sayı 13 (2009): 51-66].
“Sources, Themes, and Cultural Implications of Sinan’s Autobiographies” preface in Sinan’s Autobiographies: A Critical Edition of Five Sixteenth-Century Texts. Critical edition and translation by Howard Crane and Esra Akin, edited with a preface by Gülru Necipoğlu (Leiden, 2006).
“Word and Image: The Serial Portraits of the Ottoman Sultans in Comparative Perspective” and “A Period of Transition: Portraits of Selim II” in Sultan's Portrait: Picturing the House of Osman (Istanbul, 2000), 22-59, 202-207.
“Anatolia and the Ottoman Legacy” in The Mosque, eds. H. Uddin-Khan, M. Frishman, Thames and Hudson, 1994, 141-58.
المقالات :
“Mimar Sinan Çağında Mimarlık Kültürü ve Âdâb: Günümüze Yönelik Yorumlar (Architectural Culture and Decorum in the Age of Sinan: Interpretations With a View to Our Times,” forthcoming article in the proceedings of the Ekrem Hakkı Ayverdi Memorial Conference held at the Istanbul Technical University (Istanbul, forthcoming, 2017).
“The Scrutinizing Gaze in the Aesthetics of Islamic Visual Cultures: Sight, Insight and Desire,” Muqarnas 32 (2015), 23-61, guest edited by Olga Busch and Avinoam Shalem, Proceedings of their Conference: “Gaze Otherwise: Modalities of Seeing,” held at the Kunsthistorisches Institut in Florenz-Max Planck-Institut in October 2012.
“Persianate Images between Europe and China: The ‘Frankish Manner’ in the Diez and Topkapı Albums, ca. 1350-1450” in Proceedings of the Conference: The Diez Albums at the Berlin State Library–Current State of Research and New Perspectives, ed. Christoph Rauch (Berlin, Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, forthcoming, 2016).
“The Composition and Compilation of Two Saray Albums Reconsidered in Light of ‘Frankish’ Images,” (“İki Saray Albümü’nün Tasarimina Ve Derlenmesine ‘Frenk’ Üslubu Işığında Yeniden Bakmak”) forthcoming in the bilingual facsimile publication of two Topkapı Palace Albums (H. 2153 and H. 2160), eds. Filiz Çağman and Selmin Kangal (Istanbul, MAS Matbaası, 2016).
"Connectivity, Mobility and ‘Portable Archaeology’: Pashas from the Dalmatian Hinterland as Cultural Mediators,” in ed. Alina Payne, Dalmatia and the Mediterranean. Portable Archaeology and the Poetics of Influence (Leiden and Boston: Brill, 2014): 313-81.
“Biographical Memoirs: Oleg Grabar” Proceedings of the American Philosophical Society, Daedalus, Vol. 156, No. 4, December 2012: 452-56.
“Reflections on Thirty Years of Muqarnas,” Muqarnas 30 (2013): 1-12.
“‘Virtual Archaeology’ in Light of a New Document on the Topkapı Palace’s Waterworks and Earliest Buildings, ca. 1509,” Muqarnas 30 (2013): 315-50.
“Aesthetics of Islamic Ornament in the Sixteenth-Century: Ottoman-Safavid Visual Conversations,” Hadeeth ad-Dar (Dar al-Athar al-Islamiyyah, Kuwait National Museum, 2015).
“Visual Cosmopolitanism and Creative Translation: Artistic Conversations with Renaissance Italy in Mehmed II’s Constantinople,” Muqarnas 29 (2012), 1-81.
"The Concept of Islamic Art: Inherited Discourses and New Approaches," in Islamic Art and the Museum: Approaches to Art and Archaeology of the Muslim World in the Twenty-First Century, edited by Benoît Junod, Georges Khalil, Stefan Weber and Gerhard Wolf. (London: Saqi books, 2012) 57-75. Reproduced electronically in The Journal of Art Historiography, June 1, 2012, Vol. 6 (special issue, 'Islamic art historiography' guest edited by Moya Carey and Margaret S. Graves).
“Editor’s Foreword: In Memoriam: Oleg Grabar (1929–2011)," Muqarnas 28 (2011): vii-xv.
“From Byzantine Constantinople to Ottoman Kostantiniyye: Creation of a Cosmopolitan Capital and Visual Culture under Sultan Mehmed II,” in Exh. cat. From Byzantion to Istanbul: 8000 Years of a Capital, (Istanbul, Sakip Sabanci Museum, 2010): 262-78. (Translated in the Turkish version of the catalogue: "Konstantinopolis'ten Kostantiniyyeye: II. Mehmed Döneminde Yaratılan Kozmoplit Payitaht," Bizantion'dan Istanbul'a: Bir Baskentin 8000 Yılı: 262-77).
“The Dome of the Rock as Palimpest: ‘Abd al-Malik’s Grand Narrative and Sultan Süleyman’s Glosses,” Muqarnas 25 (2008): 17-105.
“Religious Inscriptions on the Great Mosques of the Ottoman, Safavid and Mughal Empires,” Hadeeth Ad-Dar (Dar al-Athar al-Islamiyyah, Kuwait National Museum, vol. 25, 2008), 34-40.
“Qur’anic Inscriptions on Sinan’s Imperial Mosques: A comparison with Their Safavid and Mughal Counterparts” in Word Of God – Art of Man: The Qur’an and its Creative Expressions, ed. Fahmida Suleman (Institute of Ismaili Studies Conference Proceedings, Oxford University Press, 2007), 69-104.
“Creation of a National Genius: Sinan and the Historiography of ‘Classical’ Ottoman Architecture,” Muqarnas 24 (2007): 141-83. (Turkish Translation: “Bir Milli Dehanın Yaratılışı: Sinan ve “Klasik” Osmanlı Mimarisinin Tarihyazımı,” Arradamento Mimarlık Dergisi (2015): 40-64.)
“L’idée de décor dans les régimes de visualité islamiques,” in Rémi Labrusse ed., Purs décors? Arts de l’Islam, regards du XIXe siècle. Collections des Arts Décoratifs, exh. cat. (Paris, 2007), 10-23.
“Sinan: Poet of Proportion,” Royal Academy of Arts Magazine (Special Issue: Turks), Winter 2004, number 85, 52–53.
“The Suburban Landscape of Sixteenth-Century Istanbul as a Mirror of Classical Ottoman Garden Culture,” in Theory and Design of Gardens in the Time of the Great Muslim Empires, ed. A. Petruccioli, E.J. Brill, 1997, 32–71.
“Dynastic Imprints on the Cityscape: The Collective Message of Funerary Imperial Mosque Complexes in Istanbul," Colloque Internationale: Cimetières et traditions funéraires dans le monde islamique (Institut Français d'études Anatoliennes, Istanbul, September 28–30, 1991), ed. Jean-Louis Bacqué-Grammont, Paris, C.N.R.S, 1996, 23–36.
“Challenging the Past: Sinan and the Competitive Discourse of Early Modern Islamic Architecture,” Muqarnas 10 (1993), 169–80.
“Geometric Design in Timurid-Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and its Late Gothic Parallels,” in Timurid Art and Culture: Iran and Central Asia in the Fifteenth Century, eds. L. Golombek, M. Subtelny, Leiden, 1992, 48–67.
“The Life of an Imperial Monument: Hagia Sophia after Byzantium,” in Hagia Sophia: From the Age of Justinian to the Present, eds. Robert Mark and Ahmet Cakmak, Cambridge University Press, London, 1992, 195–225. [Abridged Turkish Translation: “Bir İmparatorluk Anıtının Öyküsü: Bizans’tan Sonra Ayasofya,” Toplumsal Tarih 254 (2015): 63-75 Special Issue: “Ayasofya: Kimlik, Hafıza ve Mekân Üzerine Bin Beş Yüz Yıllık Bir Tartışma,” eds. Çiğdem Kafescioğlu and Nevra Necipoğlu].
“A Kanun for the State, a Canon for the Arts: The Classical Synthesis in Ottoman Art and Architecture during the Age of Süleyman,” Soliman le Magnifique et son temps, Actes du Colloque de Paris Galeries Nationales du Grand Palais, 7-10 mars 1990, ed. Gilles Veinstein, Rencontres de l'école du Louvre, 1992, 195–216.
“From International Timurid to Ottoman: A Change of Taste in Sixteenth Century Ceramic Tiles,” Muqarnas 7 (1991): 136–70.
“Süleyman the Magnificent and the Representation of Power in the Context of Ottoman-Hapsburg-Papal Rivalry,” The Art Bulletin, September 1989 (71): 401–27.
A. Reprinted in English in Empire and Civilization in the Age of Süleyman the Magnificent, eds. H. Inalcik and C. Kafadar, Istanbul, ISIS Press, 1992.
B. Revised version reprinted in Spanish as “Solimán el Magnífico y la Representación del Poder” in the exhibition catalog Carlos V: las Armas y las Letras, Granada, 2000.
“The Account Book of a Fifteenth-Century Royal Kiosk,” in Raiyyet Rusumu: Essays Presented to Halil Inalcik on his Seventieth Birthday, eds. S. Tekin and G. Alpay-Tekin, Cambridge, Mass., Harvard University, 1987, 31–45.
“Plans and Models in 15th and 16th-Century Ottoman Architectural Practice,” Journal of the Society of Architectural Historians, September 1986, 224–43.
“The Süleymaniye Complex in Istanbul: An Interpretation,” Muqarnas 3 (1986): 92–117.
مراجعات الكتب :
“W. E. Begley and Z. A. Desai, Taj Mahal: The Illumined Tomb: An Anthology of Seventeenth-Century Mughal and European Documentary Sources, 1989,”Journal of the Society of Architectural Historians, October 1992.
“Ca'fer Efendi, Risale-i Mi'mariyye: an Early Seventeenth-Century Ottoman Treatise on Architecture, translation and notes by H. Crane, 1987,” Journal of the Society of Architectural Historians, June 1990.
“Norah Titley, Miniatures from Turkish Manuscripts: Catalogue and Subject Index of Paintings in the British Library and the British Museum, 1981,” Journal of Turkish Studies, 1982.
“Geoffrey Broadbent, Richard Bunt and Charles Jencks, Signs, Symbols and Architecture, 1980,” Journal of the Society of Architectural Historians, October 1981.
مقابلات :
Filmed interview discussion on my research publication: "The Age of Sinan: Architectural Culture in the Ottoman Empire," in the academic and professional research website facultimedia.com. Link now located here: https://www.youtube.com/watch?v=lI9w68K6Glw. April 16, 2014
Interview for Turkish Airlines' in-flight magazine Skylife, February 2014
Interview in the series, “Architectural History Conversations,” with Betül Atasoy, editor of Arkitera.com on September 18, 2012. Link: http://www.arkitera.com/soylesi/472/mimarlik-tarihi-soylesileri--gulru-necipoglu
Interview: "Gülru Necipoğlu ile Amerika'da Osmanlı Mimarlık Tarihi Çalışmak ve Mimarlık-Sanat Tarihi İlişkisi Üzerine," [Studying Architectural History with Gülru Necipoğlu in the United States and on the Relationship between the History of Art and Architecture], TALID (Türkiye Araştırmaları Literatür Dergisi) Vol. 7 (Special Issue: Türkiye Mimarlık Tarihi/Architectural History of Turkey), no. 13, 2009, pp. 347-79, edited by Halil Ibrahim Duzenli
"Interview with Professor Gülru Necipoğlu" by Gizem Tongo, Tarih: The Graduate History Journal, Boğaziçi University, Istanbul. Inaugural Issue: Representation (2009): 5-28. Link: http://graduatehistoryjournal.boun.edu.tr/issue1_contents.html
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رابط المصدر- جامعة هارفرد :
