عضو الإدارة في متحف فيكتوريا وألبرت (بريطانيا) ، الإدارة الآسيوية ،
من اهتماماته :
الفن الاسلامي , النقوش والزخارف الاسلامية .
من منشوراته ( باللغة الاصلية ) :
LACQUER :
1 - Tim Stanley, ‘Bookbinder’s Lacquer: From Chinese Models to Craft Traditions in the Middle East’, Arts of Asia, XLVII, no.5, 2017, pp.72–80.
2 - Double Orientalism: European Lacquer and its Unacknowledged Debt to Iran
Art, Trade and Culture in the Islamic World and Beyond, From the Fatimids to the Mughals. Studies Presented to Doris Behrens-Abouseif, edited by Alison Ohta, Michael Rogers and Rosalind Wade Haddon, 2016.
3 - Tim Stanley, Qiangjin and Rawghan-i Kaman. The early history of bookbinder's lacquer, in Sanatta Etkileşim/Interactions in Art, Ankara: Türkiye İş Bankası, 2000, pp. 222-5.
4 - Tim Stanley, Lacquer in the Islamic World, in Pedro de Moura Carvalho, ed., The World of Lacquer. 2000 Years of History, Lisbon: Calouste Gulbenkian Foundation, 2001, 157-76.
5 - Tim Stanley, The Rise of the Lacquer Binding, in Jon Thompson and Sheila R. Canby, eds, Hunt for Paradise. Court Arts of Safavid Iran, 1501-1576, Milan: Skira, 2003, pp.185-201.
6 - Tim Stanley, Iranian Lacquer in the 19th Century. Mechanisms for Change, in Qajar Art - Provenance, Sources and Influences, Tbilisi, 2005, pp. 29-40.
CURATING ISSUES :
1 - Tim Stanley, A Historical Precedent: Islamic Art in South Kensington, in Jameel Prize 4, edited by Tim Stanley and Salma Tuqan, Istanbul: Pera Museum, 2016, pp.20-31.
2 - Tim Stanley, Introduction, in Jameel Prize 4, edited by Tim Stanley and Salma Tuqan, Istanbul: Pera Museum, 2016, pp.12-19.
3 - Tim Stanley, New Islamic Galleries, The Burlington Magazine, 155, 2013, pp. 396-401.
4 - Tim Stanley, A Mamluk Tray and its Journey to the V&A, in Venetia Porter and Mariam Rosser-Owen, eds, Metalwork and Material Culture in the Islamic World. Art, Craft and Text, London: IB Tauris, 2012, pp.187-200.
5 - Tim Stanley, Exhibition Review: Shah 'Abbas. London, The Burlington Magazine, 151, 2009, pp. 409-411.
6 - Tim Stanley, The Jameel Prize 2009, Eastern Art Report, no.77.
7 - Tim Stanley, Islamic art in Paris: some recent exhibitions, The Burlington Magazine, 150, 2008, pp.393-6.
8 - Tim Stanley, Islamic Art at the V&A, in Rosemary Crill and Tim Stanley, eds, The Making of the Jameel Gallery of Islamic Art at the Victoria and Albert Museum, London: V&A Publications, 2006, pp.1-25.
9 - Tim Stanley, The Concept of the Jameel Gallery, in Rosemary Crill and Tim Stanley, eds, The Making of the Jameel Gallery of Islamic Art at the Victoria and Albert Museum, London: V&A Publications, 2006, pp.50-75.
OTTOMAN STUDIES :
1 - Tim Stanley, “The Ottomans and the Transmission of Gun Lock Technology”, in Cultural Encounters in the Ottoman World and Their Reflections: Essays in Honor of Prof. Dr. Filiz Yenisehirlioglu, Ankara, [2017], pp. 205–214.
2 - Tim Stanley, Ottoman Gift Exchange: Royal Give and Take, in Linda Komaroff, Gifts of the Sultan. The Arts of Giving at the Islamic Courts, Los Angeles County Museum of Art and Yale University Press, New Haven and London, 2012, pp. 149-66.
3 - Tim Stanley, Introduction, in Charles Newton, Images of the Ottoman Empire, London: V&A Publications, 2007, pp. 7-17.
4 - Tim Stanley, The Books of Umur Bey, Muqarnas, XXI, 2004, pp.323-332.
5 - Tim Stanley, Men-at-arms, hauberks and bards. Military obligations in the Book of the Ottoman Custom, in Colin Imber and Çiğdem Balım-Harding, eds, The Balance of Truth. Essays in Honour of Professor Geoffrey Lewis, Istanbul: The Isis Press, 2000, pp.331-363.
MANUSCRIPTS AND CALLIGRAPHY :
1 - Tim Stanley, The Kevorkian-Kraus-Khalili Shahnama. The history, codicology and illustrations of a sixteenth-century Shirazi manuscript, in Robert Hillenbrand, ed., Shahnama. The Visual Language of the Persian Book of Kings, Aldershot: Ashgate, 2004, pp.85–98.
New scan as one page missing from the old one. Thanks to Ursula Sims-Williams for pointing this out.
2 - Tim Stanley, "From Text to Art Form in the Ottoman Hilye"
3 - Tim Stanley, Page-setting in late Ottoman Qur'ans. An Aspect of Standardization, Manuscripta Orientalia, X/1, March 2004, pp.56-63.
4 - Tim Stanley, After Müstakim-zade, in Doris Behrens-Abouseif and Stephen Vernoit, eds, Islamic Art in the 19th Century, Leiden and Boston: Brill, 2006, pp. 89-108.
5 - Tim Stanley, „Mit einem Pfeil aus Pappelholz traf er jene ungezähmte Gazelle ...": Malerei, Poesie und Liebe in Persien, in Liebeskunst. Liebeslust und Liebeslied in der Weltkunst, Zürich: Museum Rietberg, 2002, pp. 72-91.
6 - Lucia Burgio, Robin J.H. Clark, Vânia S.F. Muralha and Tim Stanley, Pigment analysis by Raman microscopy of the non-figurative illumination in 16th- to 18th-century Islamic manuscripts, Journal of Raman Spectroscopy, XXXIX, 2008, pp.1482–93.
CERAMICS :
1 - Tim Stanley, Iznik Ceramics between Asia and Europe, 1470s-1550s, Arts of Asia, XLI, no.6, November-December 2011, pp.123-132.
2 - Tim Stanley, Patterns of Exchange in the Decorative Arts Between China and South-west Asia, in Ralph Kauz, ed., Aspects of the Maritime Silk Road. From the Persian Gulf to the East China Sea, Wiesbaden: Harrassowitz Verlag, 2010, pp.107–15.
3 - Tim Stanley, World Ceramics at the Pera Museum, in Reino Liefkes and Hilary Young, eds, Masterpieces of World Ceramics from the Victoria and Albert Museum, Istanbul: Pera Museum, 2009, pp.15-20.
PAPERS :
1 - Review of Daniel Goffman, The Ottoman Empire and Early Modern Europe
The English Historical Review
Review of Daniel Goffman, The Ottoman Empire and Early Modern Europe, Cambridge: Cambridge U.P. 2002.
2 - 'Armed and Splendorous: The Jeweled Gun of Sultan Mahmud I'
by Bora Keskiner, Tim Stanley ve Ünver Rüstem.
رابط المصدر :
